i've been reading a new book- "
reading like a writer," by Francine Pascal. it's one of those books that i find myself continually picking up and putting back down again, but i think i tend to do that with books that i read very closely, re-reading paragraphs, sentences, thoughts, making sense of the concepts outlined on the page. from my first venture into the book, i realized that i knew most of these concepts already... and it took an adjustment to learn to put aside my ego and learn from a published writer, teacher, novelist. the book encourages a close reading of the text, stresses the importance of picking the appropriate words, a strong knowledge of grammar rules, sentence construction, and the deliberate breaths between paragraphs.
all of those concepts i understand. it wasn't until i studied poetry with one of my most respected professors that i realized the impact a single word can have on the page. i never understood poetry, and was worried she would see through my facade as a top student of literature when we started diving into 19th century poetry. instead, she gently guided me through a painstakingly close reading of each text, stopping to ask what i was feeling, what emotions each word invoked. it was then that i came to appreciate seemingly minute word choices each author made. it became easy to imagine that a short poem could take years to perfect. i imagined authors erasing, scratching out words on the page, and holding their heads in their hands as they searched for the right words to place in the right spaces.
grammar is a lesson i am always kicking myself for never quite mastering. it was in spanish class that i learned about what a subject of the sentence meant. i learned words like predicate, past participle, and clause. too bad i didn't understand spanish and instead passed through spanish 4 by writing verb conjugations on my desk and then rubbing them out with my thumb the second the teacher walked towards me. in college, i stumbled through a grammar class with the most airheaded professor in the department. needless to say, my time spent diagramming sentences was as successful as my time spent learning was a square root was (read: nonexistent).
the chapter on sentence construction fascinated me, however. pascal uses the voices of the masters to point out examples- everyone from flannery o'connor to katherine mansfield and ernest hemmingway are used to bring home the fact that beautiful sentences can be the length of an entire paragraph, diagramming those sentences would look like quite the spider web of independent and dependent clauses (don't ask me what that means, i have no idea), or the short, staccato style of a no-nonsense writer seeking to evoke simple and powerful images. i found myself wishing i would focus more on each description, each analogy, each step in the process of writing. and to be honest, yes, i should read more often.
when i was little, i would write and be annoyed with myself if i found myself writing similar to the most recent book i had read. how was i ever to stand out if i continually copy the style of the author i just read? pascal addresses this issue in the first few pages- suggesting that the ability to copy the masters is the first step in becoming a great writer. it's like painters in renaissance italy and beyond- they learn by creating copies of masterpieces, slowly breaking down the techniques, learning the rules so that they can then create their own, or disregard them altogether. i'm realizing that writing as my favorite author does is possibly the best exercise for me to do... now it just comes down to reading and feeling inspired.
to be honest, one of my biggest challenges with writing is not constructing sentences or choosing words... it's feeling vulnerable to those reading my words. a professor told me once that if you've lived a year in junior high you have enough material to write five novels. i laughed and thought about all the material i have that could be used for future novels. however, even if what i am writing is pure fiction, it still comes from my mind, my experiences, and my perceptions of the world. i have so many people whose opinions mean the world to me... and for them to read my words and see my thoughts, sometimes horrible, tragic, or sensual thoughts- even if it were (for all intents and purposes) 'fiction,' it's difficult to let the wall down.
in truth, it is my life- my perceptions, no one elses, and i should be able to separate the narrator in my head from the voices outside- i realize the value in rejecting feelings of insecurities and doubts... i just don't know if i'm ready do so, yet.
in other news- it has been quite the rough month. first, bella came home and was taken away faster than any animal should be. then, we brought little, funny maisie home. in between stressing about her health (i still have fears about parvo), maisie decided to not spend one night sleeping in her crate and instead cried and barked for 5 straight nights (going on 6 now). we got up every morning at 5am to feed her and take her outside... and by friday, i was exhausted. then on friday, spencer left us. spencer was the dog i begged for when i was 11 years old. he was my first real family pet- and he was the best guy. he was fun, happy, and so loving. i really find it incredibly hard to find words to explain the amount of love i have for him. he was the best. i guess that's all you can say. at 13 years old, he had been loved and brought love to so many people. .... there's nothing else i can say about my favorite guy- the words seem fake right now, not enough, or something.
the snow is blanketing the ground and i feel deflated... i know how wonderful my life is- i'm sitting here in my warm, beautiful home with my husband and new puppy sleeping on the other couch, my family a 5 minute drive away, and dinner plans with my very best friends tonight. but after everything, after all the emotions and all the tears- i'm just not myself right now... the main question i have is the process of aging. i guess i understand the getting old part of it... maturing, growing, experiencing life and love and loss. but i don't understand the time process of it all. if we only have 100 years to live- what impact can we have on the world? i understand having children, leaving a legacy, raising a family, keeping the cycle in motion. but i don't understand the shortness of it all. it seems cruel- 100 years out of how many thousands or billions? for some- its not 100 years. it could be as little as minutes, days, weeks. 8 weeks for bella. 13 years for spencer. both seem just too short- spencer was taken from us even though he had so much love to give. people, animals, it doesn't really matter with me- it all puzzles me, and it all makes me question the finality of life and the impact of our choices, our footprints. and all of these thoughts are definitely giving me pause... time to be contemplative, deflated, reflective.
Often, i write all day long with white ink on white paper, late into the night, until it is all i can do to feel the letters curving to earth from the tip of the pen and then, i fall asleep. dreaming of running, or maybe driving in a car the color of water and i wake the next day remembering nothing and i gather the stack of paper and a pen of black on the desk in front of me and the words begin to dance over the page like long legged insects across a still lake and the words in white whisper behind and underneath the new day. if there is any secret to this life i live, this is it: the sound of what cannot be seen sings within everything that can. and there is nothing more to it than that. -brian andreas, story people